Alan Riach: RB Cunninghame Graham is a man of original genius
A UNIQUE event will take place next month celebrating the life and work of Robert Bontine Cunninghame Graham.
A UNIQUE event will take place next month celebrating the life and work of Robert Bontine Cunninghame Graham.
ALAN Riach talks with Sandy Moffat about his current exhibition at Fire Station Creative gallery, Dunfermline: Alexander Moffat at 80.
JOHN Purser today begins a new intermittent series of – what shall we call them? – vignettes, bagatelles, a collection of observations, moments, anecdotes, memorable instances, portraits of characters, people in a history on the point of disappearing over a horizon and into a past that may be irrecoverable without some account of them.
Alan Riach drives his conversation with Kenneth Munro – sculptor, film-maker, archivist – forward to a challenging question...
ALAN: Over the last two weeks, our conversation has centred mainly on Bill Douglas but also bringing in a range of film-makers whose lives and work have been eclipsed, one might say, by the commercial world. I’m thinking of Bill’s friend Peter Jewell, or Harry Watt, as well as Margaret Tait, Helen Biggar, Ruby Grierson, Marion Grierson. We talked of them a little last week but there’s more to be said ...
ALAN Riach continues his conversation with Kenneth Munro, archivist and sculptor, about his rediscovery and championship of fellow film-maker Bill Douglas
Alan Riach talks to Kenneth Munro, film-maker, archivist, sculptor, about his rediscovery and championship of the film-maker Bill Douglas
WHEN I first went to New Zealand, in 1986, the Rainbow Warrior had just been blown up by French spies, with murderous loss of life. The prime minister, David Lange, was standing up to the world’s nuclear authority and saying NO in thunder: NO to nuclear weaponry, NO to nuclear power and NO to nuclear-powered ships arriving in any New Zealand ports. America was repulsed.
IN what was then a long-playing vinyl record, Alan Stivell’s “Renaissance of the Celtic Harp” appeared in 1971.
THE new opera The Bruce, which will have its premiere on Saturday, begins with perhaps the earliest poem in the Scots language, from Andrew of Wyntoun’s Original Chronicle of Scotland.
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